semicord

G whole-tone scale

Notes
G A B C# D# F
Formula
1 2 3 #4 #5 b7
Steps
W W W W W W (W tone, H semitone)

Six notes from G up to the next G. Symmetric scales repeat a letter or skip one, so the spelling here keeps each note to a single sharp or flat.

G whole-tone on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4Ab4Bb4C#5D#5F#5Ab5Bb5C4GABC5C#D#FG

From G4 to G5, the root in blue-green.

Intervals from G

NoteDegreeIntervalSemitones
G1root0
A2major second2
B3major third4
C##4augmented fourth6
D##5augmented fifth8
Fb7minor seventh10

G whole-tone on the guitar

Standard tuning, high e on top as in tablature, open strings to fret 12. Every dot is a note of the scale; the pattern repeats from fret 12 up.

eBGDAE357912FGABC#D#BC#D#FGABGABC#D#FGD#FGABC#ABC#D#FGAFGABC#D#

Chords that fit G whole-tone

Every chord of the common types (triads, sus, sixths, sevenths, add9, 7b9, 7#9) whose notes are all in the scale, on each of its notes, spelled as on the chord pages. A 6-note scale has no single set of "the" chords the way a seven-note scale does.

OnChords
GGaug
AAaug
BBaug
C# (Db)Dbaug
D# (Eb)Ebaug
FFaug

Same notes, different home note

G whole-tone uses exactly the same notes as Db whole-tone, Eb whole-tone, F whole-tone, A whole-tone and B whole-tone. What changes is the note the music keeps returning to, and with it which chord sounds like home.

How G whole-tone is built

Six notes, each a whole tone from the next, so every note is the same distance from its neighbours and no note sounds like home. There are only two different whole-tone scales: this one, which has the same notes as the whole-tone scales on Db, Eb, F, A and B, and the one on Ab whole-tone. Every note is the root of an augmented triad (Gaug: G B D#), and the scale fits the augmented seventh chord G7#5. Debussy used it for its blurred, dreamlike sound.

Played some notes and not sure which scale they come from? The scale finder listens to the piano, a MIDI keyboard or the microphone and ranks all 180 scales.

What this page cannot do

  • One spelling per scale. the root is spelled the way that needs the fewest sharps and flats.
  • Equal temperament only. Blues and many folk traditions bend notes between these pitches, and Arabic and Turkish maqam scales use quarter tones that a piano cannot play.
  • The guitar diagram shows standard tuning only and does not suggest fingerings; any note can be played in several places.
  • The sound is a simple synthesised tone made in your browser, not a recorded instrument.

Made with AI tools.