semicord

Ebm(maj7) Eb minor-major seventh chord

Notes
Eb Gb Bb D
Formula
1 b3 5 7
Semitones
0 3 7 11 above the root
Also written
D#m(maj7) (D# F# A# C##)
Other symbols
EbmM7, Ebm(Δ7), Ebmin(maj7)

Eb to Gb is a minor third (3 semitones), Gb to Bb is a major third (4 semitones), Bb to D is a major third (4 semitones). A minor triad with a major seventh, D, a half step below the root. The minor third Gb and the major seventh make an augmented triad (Gb Bb D) inside the chord, which gives it its tense, suspenseful sound.

Ebm(maj7) on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4Gb4Ab4Bb4C#5Eb5F#5Ab5Bb5C4EbGbBbC5D

Root position from Eb4: Eb4, Gb4, Bb4, D5. Middle C is C4.

Ebm(maj7) on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has Eb as its lowest note.

6fr×EbEbBbBbDDGbGbBbBb
A-shape barre, root on the A string at fret 6
x 6 8 7 7 6 (low E to high e)
Sounds Eb3 Bb3 D4 Gb4 Bb4
11frEbEb×DDGbGbBbBb×
E-shape, root on the E string at fret 11
11 x 12 11 11 x (low E to high e)
Sounds Eb3 D4 Gb4 Bb4

The E-shape and A-shape grips are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play minor-major seventh chords on other roots.

Inversions of Ebm(maj7)

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionEb Gb Bb DEbm(maj7)
1st inversionGb Bb D EbEbm(maj7)/Gb
2nd inversionBb D Eb GbEbm(maj7)/Bb
3rd inversionD Eb Gb BbEbm/D (also read as Ebm(maj7)/D)

Where Ebm(maj7) fits

Ebm(maj7) is i(maj7) in Eb minor. Most often it is a passing chord in the descending line Ebm → Ebm(maj7) → Ebm7 → Ebm6, where one voice falls a half step at a time from Eb. The first four bars of the jazz standard "My Funny Valentine" (Cm, Cm(maj7), Cm7, Cm6 in C minor) are exactly that line.