semicord

Abm(maj7) Ab minor-major seventh chord

Notes
Ab Cb Eb G
Formula
1 b3 5 7
Semitones
0 3 7 11 above the root
Also written
G#m(maj7) (G# B D# F##)
Other symbols
AbmM7, Abm(Δ7), Abmin(maj7)

Ab to Cb is a minor third (3 semitones), Cb to Eb is a major third (4 semitones), Eb to G is a major third (4 semitones). A minor triad with a major seventh, G, a half step below the root. The minor third Cb and the major seventh make an augmented triad (Cb Eb G) inside the chord, which gives it its tense, suspenseful sound.

Abm(maj7) on the piano

C4D4E4F4G4A4Cb5C5D5E5F5G5A5B5C#4Eb4F#4Ab4Bb4C#5Eb5F#5Ab5Bb5C4AbCbC5EbG

Root position from Ab4: Ab4, Cb5, Eb5, G5. Middle C is C4.

Abm(maj7) on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has Ab as its lowest note.

AbAb×GGCbCbEbEb×
E-shape, root on the E string at fret 4
4 x 5 4 4 x (low E to high e)
Sounds Ab2 G3 Cb4 Eb4
11fr×AbAbEbEbGGCbCbEbEb
A-shape barre, root on the A string at fret 11
x 11 13 12 12 11 (low E to high e)
Sounds Ab3 Eb4 G4 Cb5 Eb5

The E-shape and A-shape grips are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play minor-major seventh chords on other roots.

Inversions of Abm(maj7)

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionAb Cb Eb GAbm(maj7)
1st inversionCb Eb G AbAbm(maj7)/B
2nd inversionEb G Ab CbAbm(maj7)/Eb
3rd inversionG Ab Cb EbG#m/G (also written Abm/G; also read as Abm(maj7)/G)

Where Abm(maj7) fits

Abm(maj7) is i(maj7) in Ab minor. Most often it is a passing chord in the descending line Abm → Abm(maj7) → Abm7 → Abm6, where one voice falls a half step at a time from Ab. The first four bars of the jazz standard "My Funny Valentine" (Cm, Cm(maj7), Cm7, Cm6 in C minor) are exactly that line.