semicord

F# major pentatonic scale

Notes
F# G# A# C# D#
Formula
1 2 3 5 6
Steps
W W W+H W W+H (W tone, H semitone)
Also written
Gb major pentatonic: Gb Ab Bb Db Eb

Five notes from F# up to the next F#. Each note is written with the letter its degree names, so the spelling follows the formula.

F# major pentatonic on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4G#4A#4C#5D#5F#5Ab5Bb5C4F#G#A#C5C#D#F#

From F#4 to F#5, the root in blue-green.

Intervals from F#

NoteDegreeIntervalSemitones
F#1root0
G#2major second2
A#3major third4
C#5perfect fifth7
D#6major sixth9

F# major pentatonic on the guitar

Standard tuning, high e on top as in tablature, open strings to fret 12. Every dot is a note of the scale; the pattern repeats from fret 12 up.

eBGDAE357912F#G#A#C#D#C#D#F#G#A#G#A#C#D#F#D#F#G#A#C#A#C#D#F#G#F#G#A#C#D#

Chords that fit F# major pentatonic

Every chord of the common types (triads, sus, sixths, sevenths, add9, 7b9, 7#9) whose notes are all in the scale, on each of its notes, spelled as on the chord pages. A 5-note scale has no single set of "the" chords the way a seven-note scale does.

OnChords
F#F#, F#sus2, F#6, F#add9
G# (Ab)Absus2, Absus4, Ab7sus4
A#none of the common types
C# (Db)Dbsus2, Dbsus4
D# (Eb)Ebm, Ebsus4, Ebm7, Eb7sus4

Same notes, different home note

F# major pentatonic uses exactly the same notes as Eb minor pentatonic. What changes is the note the music keeps returning to, and with it which chord sounds like home.

How F# major pentatonic is built

The major scale without its 4th and 7th: B and E# are left out of F# major. Those are the two notes a semitone away from their neighbours, so the pentatonic has no semitones at all and no note clashes hard with the F# chord. It has the same five notes as Eb minor pentatonic, started from a different note.

Played some notes and not sure which scale they come from? The scale finder listens to the piano, a MIDI keyboard or the microphone and ranks all 180 scales.

What this page cannot do

  • One spelling per scale. Gb major pentatonic is the same sounds written from Gb; the root is spelled the way that needs the fewest sharps and flats.
  • Equal temperament only. Blues and many folk traditions bend notes between these pitches, and Arabic and Turkish maqam scales use quarter tones that a piano cannot play.
  • The guitar diagram shows standard tuning only and does not suggest fingerings; any note can be played in several places.
  • The sound is a simple synthesised tone made in your browser, not a recorded instrument.

Made with AI tools.