semicord

Adim A diminished chord

Notes
A C Eb
Formula
1 b3 b5
Semitones
0 3 6 above the root
Other symbols
A°, Am(b5)

A to C is a minor third (3 semitones), C to Eb is a minor third (3 semitones). Two minor thirds stacked, so A to Eb is a tritone (6 semitones) instead of a perfect fifth. The four-note Adim7 and Am7b5 grow from it by adding a note on top.

Adim on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4Ab4Bb4C#5Eb5F#5Ab5Bb5C4ACC5Eb

Root position from A4: A4, C5, Eb5. Middle C is C4.

Adim on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has A as its lowest note.

×AEbEbAACC×
Open position (A-shape)
x 0 1 2 1 x (low E to high e)
Sounds A2 Eb3 A3 C4
5frAAEbEbAACC××
E-shape barre, root on the E string at fret 5
5 6 7 5 x x (low E to high e)
Sounds A2 Eb3 A3 C4

The barre shapes are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play diminished chords on other roots.

Inversions of Adim

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionA C EbAdim
1st inversionC Eb AAdim/C
2nd inversionEb A CAdim/Eb

Where Adim fits

Adim is vii° in Bb major, ii° in G minor, vii° in Bb minor. Its root A is the leading tone of Bb: a half step below the tonic, so the chord usually moves up to it.