semicord

Bbsus2 Bb suspended second chord

Notes
Bb C F
Formula
1 2 5
Semitones
0 2 7 above the root
Also written
A#sus2 (A# B# E#)

Bb to C is a major second (2 semitones), C to F is a perfect fourth (5 semitones). The third is replaced by the second (C), so the chord is neither major nor minor. The same three keys with F in the bass read as Fsus4.

Bbsus2 on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4Ab4Bb4C#5Eb5F#5Ab5Bb5C4BbCC5F

Root position from Bb4: Bb4, C5, F5. Middle C is C4.

Bbsus2 on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has Bb as its lowest note.

×BbBbFFBbBbCCFF
A-shape barre, root on the A string at fret 1
x 1 3 3 1 1 (low E to high e)
Sounds Bb2 F3 Bb3 C4 F4

The barre shapes are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play suspended second chords on other roots.

Inversions of Bbsus2

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionBb C FBbsus2
1st inversionC F BbC7sus4 (also read as Bbsus2/C)
2nd inversionF Bb CFsus4 (also read as Bbsus2/F)

Where Bbsus2 fits

A sus chord has no third, so it is neither major nor minor and has no fixed place in a key. In Bbsus2 the second, C, usually rises to the major or minor third or falls back to the root Bb; it is also often left unresolved as a colour, especially on guitar.