semicord

Bm B minor chord

Notes
B D F#
Formula
1 b3 5
Semitones
0 3 7 above the root
Other symbols
Bmin, B−

B to D is a minor third (3 semitones), D to F# is a major third (4 semitones). It differs from B major by one note: the third, D, is a half step lower than in B major.

Bm on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4Ab4Bb4C#5Eb5F#5Ab5Bb5C4BC5DF#

Root position from B4: B4, D5, F#5. Middle C is C4.

Bm on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has B as its lowest note.

×BBF#F#BBDDF#F#
A-shape barre, root on the A string at fret 2
x 2 4 4 3 2 (low E to high e)
Sounds B2 F#3 B3 D4 F#4
7frBBF#F#BBDDF#F#BB
E-shape barre, root on the E string at fret 7
7 9 9 7 7 7 (low E to high e)
Sounds B2 F#3 B3 D4 F#4 B4

The barre shapes are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play minor chords on other roots.

Inversions of Bm

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionB D F#Bm
1st inversionD F# BBm/D
2nd inversionF# B DBm/F#

Where Bm fits

Bm is ii in A major, iii in G major, vi in D major, i in B minor, iv in F# minor, v in E minor.