semicord

F#9 F# dominant ninth chord

Notes
F# A# C# E G#
Formula
1 3 5 b7 9
Semitones
0 4 7 10 14 above the root
Also written
Gb9 (Gb Bb Db Fb Ab)
Other symbols
F#dom9

F# to A# is a major third (4 semitones), A# to C# is a minor third (3 semitones), C# to E is a minor third (3 semitones), E to G# is a major third (4 semitones). A dominant seventh (F#7) with the ninth, G#, on top. Guitarists usually leave out the fifth, C#; the chord still reads as F#9 while the third A# and seventh E are there.

F#9 on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4Eb4F#4Ab4A#4C#5Eb5F#5G#5Bb5C4F#A#C5C#EG#

Root position from F#4: F#4, A#4, C#5, E5, G#5. Middle C is C4.

F#9 on the guitar

Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has F# as its lowest note.

F#F#C#C#EEA#A#C#C#G#G#
E-shape barre, root on the E string at fret 2
2 4 2 3 2 4 (low E to high e)
Sounds F#2 C#3 E3 A#3 C#4 G#4
8fr×F#F#A#A#EEG#G#C#C#
A-shape, root on the A string at fret 9
x 9 8 9 9 9 (low E to high e)
Sounds F#3 A#3 E4 G#4 C#5

The E-shape and A-shape grips are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play dominant ninth chords on other roots.

Inversions of F#9

An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.

PositionNotes, bass firstNamedListen
Root positionF# A# C# E G#F#9
1st inversionA# C# E G# F#F#9/A#
2nd inversionC# E G# F# A#F#9/C#
3rd inversionE G# F# A# C#F#9/E
4th inversionG# F# A# C# EF#7/G# (also read as F#9/G#)

Where F#9 fits

F#9 is V9 in B major. It resolves like F#7. In funk and blues it is also played as I9, IV9 and V9 of a twelve-bar blues, with no pull to resolve at all. Without the root, its upper four notes A# C# E G# are A#m7b5, which is why pianists who leave the root to the bass player grab that shape.