Gbmaj7 Gb major seventh chord
- Notes
- Gb Bb Db F
- Formula
- 1 3 5 7
- Semitones
- 0 4 7 11 above the root
- Also written
- F#maj7 (F# A# C# E#)
- Other symbols
- GbM7, GbΔ7
Gb to Bb is a major third (4 semitones), Bb to Db is a minor third (3 semitones), Db to F is a major third (4 semitones). A major triad plus the note a half step below the root (F). It has no tritone, so it sounds settled and soft rather than restless like Gb7.
Gbmaj7 on the piano
Root position from Gb4: Gb4, Bb4, Db5, F5. Middle C is C4.
Gbmaj7 on the guitar
Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has Gb as its lowest note.
2 x 3 3 2 x (low E to high e)
Sounds Gb2 F3 Bb3 Db4
x 9 11 10 11 9 (low E to high e)
Sounds Gb3 Db4 F4 Bb4 Db5
The barre shapes are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play major seventh chords on other roots.
Inversions of Gbmaj7
An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.
| Position | Notes, bass first | Named | Listen |
|---|---|---|---|
| Root position | Gb Bb Db F | Gbmaj7 | |
| 1st inversion | Bb Db F Gb | Gbmaj7/Bb | |
| 2nd inversion | Db F Gb Bb | Gbmaj7/Db | |
| 3rd inversion | F Gb Bb Db | Gb/F (also read as Gbmaj7/F) |
Where Gbmaj7 fits
Gbmaj7 is Imaj7 in Gb major, IVmaj7 in Db major.