semicord

C# Dorian scale

Notes
C# D# E F# G# A# B
Formula
1 2 b3 4 5 6 b7
Steps
W H W W W H W (W tone, H semitone)
Also called
C# Dorian mode
Also written
Db Dorian: Db Eb Fb Gb Ab Bb Cb

Seven notes from C# up to the next C#. Each note is written with the letter its degree names, one letter each, so the spelling follows the formula.

C# Dorian on the piano

C4D4E4F4G4A4B4C5D5E5F5G5A5B5C#4D#4F#4G#4A#4C#5Eb5F#5Ab5Bb5C4C#D#EF#G#A#BC5C#

From C#4 to C#5, the root in blue-green.

Intervals from C#

NoteDegreeIntervalSemitones
C#1root0
D#2major second2
Eb3minor third3
F#4perfect fourth5
G#5perfect fifth7
A#6major sixth9
Bb7minor seventh10

C# Dorian on the guitar

Standard tuning, high e on top as in tablature, open strings to fret 12. Every dot is a note of the scale; the pattern repeats from fret 12 up.

eBGDAE357912EF#G#A#BC#D#EBC#D#EF#G#A#BG#A#BC#D#EF#D#EF#G#A#BC#A#BC#D#EF#G#EF#G#A#BC#D#E

The seven chords of C# Dorian

Every other note of the scale stacked on each note. Numerals are measured against the major scale on C#, so a b marks a chord root a semitone lower than in major.

NumeralChordNotesSound
iC#mC# E G#
iiD#m (same notes, spelled Ebm on its chord page)D# F# A#
bIIIEE G# B
IVF#F# A# C#
vG#mG# B D#
vi°A#dimA# C# E
bVIIBB D# F#

Seventh chords

NumeralChordNotesSound
i7C#m7C# E G# B
ii7D#m7 (same notes, spelled Ebm7 on its chord page)D# F# A# C#
bIIImaj7Emaj7E G# B D#
IV7F#7F# A# C# E
v7G#m7G# B D# F#
viø7A#m7b5A# C# E G#
bVIImaj7Bmaj7B D# F# A#

Same notes, different home note

C# Dorian uses exactly the same notes as D# Phrygian, E Lydian, F# Mixolydian, G# natural minor, A# Locrian and B major. What changes is the note the music keeps returning to, and with it which chord sounds like home.

Same notes as the key of B major: the chords are the same seven, but with C# as home.

How C# Dorian is built

Dorian is the natural minor with a major 6th: against C# natural minor, A becomes A#. It has the same notes as B major, played from its 2nd note, C#. The raised 6th turns the chord on the 4th note major (F# instead of F#m), and the i–IV vamp, C#m to F#, is the Dorian sound.

Miles Davis's "So What" (1959) is built on D Dorian for most of its length, moving up a semitone to Eb Dorian for the bridge.

Played some notes and not sure which scale they come from? The scale finder listens to the piano, a MIDI keyboard or the microphone and ranks all 180 scales.

What this page cannot do

  • One spelling per scale. Db Dorian is the same sounds written from Db; the root is spelled the way that needs the fewest sharps and flats.
  • Equal temperament only. Blues and many folk traditions bend notes between these pitches, and Arabic and Turkish maqam scales use quarter tones that a piano cannot play.
  • The guitar diagram shows standard tuning only and does not suggest fingerings; any note can be played in several places.
  • The sound is a simple synthesised tone made in your browser, not a recorded instrument.

Made with AI tools.