Abmaj7 Ab major seventh chord
- Notes
- Ab C Eb G
- Formula
- 1 3 5 7
- Semitones
- 0 4 7 11 above the root
- Also written
- G#maj7 (G# B# D# F##)
- Other symbols
- AbM7, AbΔ7
Ab to C is a major third (4 semitones), C to Eb is a minor third (3 semitones), Eb to G is a major third (4 semitones). A major triad plus the note a half step below the root (G). It has no tritone, so it sounds settled and soft rather than restless like Ab7.
Abmaj7 on the piano
Root position from Ab4: Ab4, C5, Eb5, G5. Middle C is C4.
Abmaj7 on the guitar
Standard tuning (E A D G B E). Strings run low E on the left to high e on the right, frets downwards; × is a muted string, ○ an open string, and each dot shows the note it sounds, with the root in blue-green. Every shape below has Ab as its lowest note.
4 x 5 5 4 x (low E to high e)
Sounds Ab2 G3 C4 Eb4
x 11 13 12 13 11 (low E to high e)
Sounds Ab3 Eb4 G4 C5 Eb5
The barre shapes are movable: an E-shape chord's root is the note under your first finger on the low E string, an A-shape chord's root is the note on the A string. Slide the same grip up or down to play major seventh chords on other roots.
Inversions of Abmaj7
An inversion puts a note other than the root in the bass. The name is what semicord's chord finder calls those notes played bottom to top; a slash name like C/E means a C chord with E in the bass.
| Position | Notes, bass first | Named | Listen |
|---|---|---|---|
| Root position | Ab C Eb G | Abmaj7 | |
| 1st inversion | C Eb G Ab | Abmaj7/C | |
| 2nd inversion | Eb G Ab C | Abmaj7/Eb | |
| 3rd inversion | G Ab C Eb | Ab/G (also read as Abmaj7/G) |