B melodic minor scale
- Notes
- B C# D E F# G# A#
- Formula
- 1 2 b3 4 5 6 7
- Steps
- W H W W W W H (W tone, H semitone)
- Also called
- B jazz minor, B ascending melodic minor
Seven notes from B up to the next B. Each note is written with the letter its degree names, one letter each, so the spelling follows the formula.
B melodic minor on the piano
From B4 to B5, the root in blue-green.
Intervals from B
| Note | Degree | Interval | Semitones |
|---|---|---|---|
| B | 1 | root | 0 |
| C# | 2 | major second | 2 |
| D | b3 | minor third | 3 |
| E | 4 | perfect fourth | 5 |
| F# | 5 | perfect fifth | 7 |
| G# | 6 | major sixth | 9 |
| A# | 7 | major seventh | 11 |
B melodic minor on the guitar
Standard tuning, high e on top as in tablature, open strings to fret 12. Every dot is a note of the scale; the pattern repeats from fret 12 up.
The seven chords of B melodic minor
Every other note of the scale stacked on each note. Numerals are measured against the major scale on B, so a b marks a chord root a semitone lower than in major.
| Numeral | Chord | Notes | Sound |
|---|---|---|---|
| i | Bm | B D F# | |
| ii | C#m | C# E G# | |
| bIII+ | Daug | D F# A# | |
| IV | E | E G# B | |
| V | F# | F# A# C# | |
| vi° | G#dim | G# B D | |
| vii° | A#dim | A# C# E |
Seventh chords
This scale is where the V chord of B minor comes from; the key page lists it with the other chords of the key.
How B melodic minor is built
The natural minor with both its 6th and 7th raised (G becomes G# and A becomes A#), which removes the awkward three-semitone gap of the harmonic minor. It is the same as B major with only the 3rd lowered: D# becomes D.
In classical teaching this is the ascending form only: coming down, the melody falls back to the B natural minor (A G F# E D C# B). Jazz players use the raised form in both directions and call it the jazz minor; the diagrams here show that form.
Played some notes and not sure which scale they come from? The scale finder listens to the piano, a MIDI keyboard or the microphone and ranks all 180 scales.
What this page cannot do
- One spelling per scale. the root is spelled the way that needs the fewest sharps and flats.
- Equal temperament only. Blues and many folk traditions bend notes between these pitches, and Arabic and Turkish maqam scales use quarter tones that a piano cannot play.
- The guitar diagram shows standard tuning only and does not suggest fingerings; any note can be played in several places.
- The sound is a simple synthesised tone made in your browser, not a recorded instrument.